A woman takes the biggest step in his life when he becomes Mrs ‘from Miss’. And during this change, a person is ‘Mr’ in the relationship with his hand. But what if the men never understand him in the true sense? What if he feels the dream of building a house feel not your own feel? What if he should give up all your wishes for marriage? These are not an imaginary questions; This is a tough truth for countless women. The latest film of ZI 5, Sania Malhotra took the story forward in the lead role. Hhiwinda is a matter of changing the great Indian kitchen, although Mrs. It can’t catch the intensity of the original movie so it makes you deeply restless.

Mrs. 5 of ZI 5 can only be included in two sentences. A newly married woman, Richa (Sanyan Daisheri), has been tired of trying to stay at home at her husband Deader (Nisanth Daisheri) (Nisanth Dahahia) (Nisanth Dahahia) (Nisanti Dahrai) (Nisanti Dahrai) (Nisanti Dahia) (Nisanti Dahia) (Nisanti Dahia) (Omiti Dayah) left him. When he becomes a school dance teacher and fulfills his dream, her husband again marry her. But between the two conditions, the main character is the story of Mrs. The 1 -shore 40-woman has been shot in a house in UP. Except for one or two shots, the whole film has been shot inside the house and there are 90% of the kitchen views.

Every shot of the film is an important role and not a single scene was not wasted. In the first 15-20 minutes you can see that a middle-class wife and gruel are asked to handle the kitchen and all the house after the end of the relatives. Not only Mother -in-An -la-Fluent Rules of the Poisonous Rules, instead of living on new bride, the father, but the father and husband, in which Father and husband, in which Father and husband Leaves everything for, but the bad woman, every day makes his life difficult. No one should have a bad idea, no screaming, domestic violence, anonymous, but only mental fertilizer, and even unwanted love affairs.

Forever, peeling, peeling, then peeling, then peeling, peeling, peeling, peeling, peeling, peeling, peeling, then peeling, then clean the kitchen and lunch. The same can be repeated during the course of. There are small examples of family traditions in the name of family traditions, and many of these shots carry the chiefs out when the main character is considered and the heart is broken. In addition, after becoming a Guyncologist’s wife, Richa, not only isolated during menstruation, but when he convicted he has judged the oppression. The film exposes many important moments of mid-class and pain and also indicates a way.

Is characteristic of Mrs. Mrs. Mrs. Crisp, emotional and the logical writing of this movie make it a qualified remake of such a good real film. The dialogues are thoroughly mixed with the brilliant performance in background music and film, allowing someone to feel pain. From the vibrant to depressed, set direction and designs of the set direction and design film well and wait in most organic way.

 

Ms. Congratulations on top position, and most congratulated, the realistic structure of the realistic structure of the Indian marriage. Many views are directed and presented by beauty who present the tradition in spite of the changing time and despite the alternatively ignoring modernity. In addition, the filmmaker is expected to heat the bed and heating guests according to guests, but he should not have the desires for his ideas, ideas, or careers.

Mrs. Mrs. The truth is a reflection of the truth that many women silent, which make it worth. However, it cannot fully keep the Rawnadh’s Raviopan, the heart rate of the heart rate of Pettracy. With his powerful acting and illegal story stories, forms the audience to face the inconvenience to the truth, not only for sympathy and change.

 

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