Trilok Gurtu 2025 at Mahindra Perfection Festival | Photo Credit: Special Arrangement

On 1 March and 2 March, someone visiting the Pratishtha Srihari Khuda Center in the performance art auditorium in Konakantte greeted.

A picture exhibition, a picture of her most clearly tabla legend, was occupied by Dayanita Singh, was a great way to pay a tribute, as a golden-description of Hussain published on the edge of the stage. Amidst the cursor of the five acts festival to perform in two days, there was no direct tribute through the song, but the choice of sitarist Ravi Chari and Chennai pair snacks mentioned the effect that Ustad had on his artistry.

Day one started with singer Aruna Syum’s Fusion Act, Thrilana Project. The (suitable) on Thilanus takes exciting, the artist gave place to all his instruments, which he lovingly praised as “magicians”, and included Mridangam artist BC Manjunath, Giridhi Udupa on Ghatam, drummer Arun Kumar, Violinist Jyotsana Srikanth, keyboardist Solidipur and Bediptrist. In addition to the sublime vocals of Sairam, since it was a festival dedicated to the collision, it was only that Kumar, Manjannath and Udupa were engaged in a concol and single-driven movement that was a cure for the audience.

Realizing that the collision was at the center of all this, Sitarwadi Ravi Chari also started his performance under Monikar Ravi Chari Crossing with Concol to start his performance to his tabla artist Satyajit Talwalkar. Display your 2012 album CrossroadCherry, like Soram, was happy to take his fellow instruments to a spotlight, Sheldon de ‘Silva made his bass guitar a song from Gino Banks’ charge-up drumming. Haldipur was back on the keys for constant sets and took the audience to a delightful Singalong part.

Artist 2025 at Mahindra Perfection Festival | Photo Credit: Vishal Day

After a half -hour break, the audience returned to its seats to find a large -scale setup on the stage for the Trilok Gurtu project. Before his performance began, veteran -tireds entertained any strugglers – finally, he was laborily held a group of musicians together with four collisions, keyboardists, guitarists, and singers. According to the choice of Chandana Bala Kalyan on Vocals (a versatile voice) and guitarist Dhruv Ghankar, there were some Marathi Gratitude Also an African song that the band worked with enthusiasm. However, the most complicated part, Gurtu’s crazy-scientist-like conflict remained solo, with steel buckets to his breath.

It was many times esoteric, but mesmerized to see an experienced in action, to sit on a kazon away from his crowded drum setup and jam with your band.

Day two were brought in just a few acts, but they were playing in a full house. Snacks, with drummer Ramkumar Karkarajan and Mridangam artist Sumesh Narayanan, extended the volume level with their sets to the highest level, including his 2024 first album songs. ThrillaxThe set of snacks was fluid, sharp-transport and nonstop, which can actually expect from an initial act working with carrying energy levels in the crowd. His performance at the Mahindra Perfection Festival came in the same way that he is ready to visit Europe, taking this electronica-thunder mixture of South Indian rhythm, rock and metal to new levels.

Electronic music was also a major element in the beetraout of Ranjit Barot and Rosten Abel, including five instruments from Kerala and one and five from Rajasthan. The north and south rhythm was detected not only with sound, but also with a film as a film during each song. Spotting each tool on the stage, Barot found a drum and Concol Solo segment, a fugitive hit, in which the actors on her left and right cheered her. Leading a project of this scale comes with the challenges of pushing and pulling themselves among a total of 11 artists, including Barot, but it was a rhythmic bridge between the world. “After that, if you are not feeling good, something is wrong,” Barot said after the final atmosphere involving all the instrumentalists on the stage.

It seemed good that there was definitely an atmosphere prevalent among the thousand-odds present, who attended the Mahindra Percation Festival-now a well-oil machine in its third edition. This will probably be a dip in India’s rich collision traditions and something new will be done and cured every year.

Aruna Siram’s thrilalana Project 2025 at Mahindra Perfection Festival | Photo Credit: Vishal Day