Popular presentation of Cripa Center for Fine Arts at Brahma Gana Sabha in Chennai. Photo Credit: Special Arrangement

As part of the dance ceremony organized by Brahma Gana Sabha at Dakshinamurthy Auditorium, students of Center for Fine Arts presented a thematic presentation on the lam, Thakita Thah Jham, which took the audience through traveling in the joys of rhythmic sounds to the audience Went. Every aspect of the universe.

The idea was conceived by Cycroup Prasanna, and research was done by GV Guru Bhardwaj, who also helped to give the concept. Music by Rajkumar Bharati ensured that each music composition was fully aligned with the vision of the choreographer. The songs were taken from Upanishads, Kuthanul and Panch Marbu.

Exhausted Photo Credit: Special Arrangement

A series of six different categories of the lam were depicted through detailed the concept. Starting with the great beauty of nature, Prakthi Lem depicted the weather, rivers, the sound of rain, the horrific sounds of thunder, and more.

Human beings who create simple mechanical sounds in their everyday life were shown in the daily life … It is believed that the internal rhythm made by worldly movements like grain, cutting a log with a manual saw , And was washed with creativity from washing.

Since time, humans have demonstrated the deep feeling of the lam through their folk art forms. With the use of their vibrant costumes, rhythmic movements and traditional musical instruments, folk dancers play an important role in preserving and celebrating the diverse cultural heritage of a country. Thevartam and another tribal dance of Tamil Nadu were performed to portray the Loca Kala Lam.

Production discovered various aspects of Laya. Photo Credit: Special Arrangement

Using the same lock, various sequences that come out of many collision devices bring the underlying harmony within each of them.

To maintain the attention of the audience and break the monotony of abstraction, a humorous interpretation of sounds in human relationships was presented to Bandav Lem.

Finally, the juicy was taken to the functioning of different dimensions of the mind in the Mano Lem. It was painted through a ragam, tanam, Pallavi in ​​powerful Hindolam.

The ragam, which means color, was painted through the flow of drapes and beautiful movements. Metals to show the mind – flowers, monkeys and bees – were painted in Tanam, Pallavi was shown through a vibrant Moha Koravai. Rajkumar Bharati’s beautiful song ‘Manam Alindhu’ said that this is clearly.

The costumes were simple and effective. The entire presentation had the original colors black and gold with green, red, orange, pink and blue – this enabled artists to show changing feelings well.