A disturbed trend in Karnataka music

A disturbed trend in Karnataka music

How much is it very high? , Photo Credit: Special Arrangement

The cricket Test match was once timeless. Then time -bound tests came and now we play international games within about four hours. Karnataka music saw similar trends in the shrinkage of time. However, many people would not have believed that it would also mean a small change of crites. For music known as ‘Manodarma’, Penchent has now reduced the concert for very few songs or crites. This is a big change of luck for our honorable works.

Rasikas always treated with Manadharma with a sense of fear and music greatness. That honor continues. However, in recent years music festivals have triggered some questions – what is actually creative Manodarma? How much is it very high? Is there a herd mentality in chasing more manodarma, which means less time for crites and ragas.

The basic definition of Manodharma is the basket that includes raga Alapana, Nerwal, Swaras, Tham and Pallavi. Enlightened listeners will agree that most of this Manodharma are also Kalpita Santita or rehearsal. Swar has long been led by the algorithm for many musicians. Korvis are definitely of that diversity. Raga as a show of some musicians can be very innovative. But many have a microsoft approach for this – cut and paste. So, you can listen to a 15 -minute Combgged Alapana which has clitch, repetition and mayder for 12 minutes and some spots that invite nodes and chakallas. Therefore, most of the time of 12 minutes is wasted. Similarly, a gradder can sing or play the first speed nerval (equal or separate) for 15 avatars of lock structure and then rapid stroke. The clock would have gone only 15 or 20 minutes during Nerwal. Many musicians feel that the length of time for each Manodarma exhibition is for more music visadari. It is reinforced by the manufactured moments that invite grand applause. The end always justifies the instrument, as they say.

The concert was usually 15 to 20 pieces in the concert by Yesteeryear Masters and Manodharma was never in low supply.

The concert was usually 15 to 20 pieces in the concert by Yesteeryear Masters and Manodharma was never in low supply. , Photo Credit: Hindu Archives

This pattern requires some discussion and reflection of musicians. This means that we do not have concerts with seven or more pieces in about two and a half hours – the lower buynd is three or four.

The concert was usually 15 to 20 pieces in the concert by Yesteeryear Masters and Manodharma was never in low supply. Even some such as GNB, considered a panthean of Manodarma, have been packed between wide creative Alpana in many songs. The boundary of tastes that see listeners through different ragas, compositions, tempo, rhythm and lyrical values, now there is a danger of sacrificing on the altar of Manodharm.

GNB, considered a panthean of Manodarma, packed in many songs among widespread creative Alpana.

GNB, considered a panthean of Manodarma, packed in many songs among widespread creative Alpana. , Photo Credit: Hindu Archives

In a personal conversation with some current musicians, some things were revealed. The competitive spirit has captured. ‘If X can do it, I can do it too’ is an argument that hears one. This is a race named after Manodarma. There is also a fomo (fear of fear) syndrome, resulting in pride on mathematicians of Hungary as a result of Swara pattern; Or singing or play a non-maintenance raga for 20 minutes. The audience is now also air -conditioned to appreciate a thunder after every long exercise. It thus becomes a self-fulfilling prediction. There is a humorous pinch that some musicians also sing Critis.

Stretched is great for manodharm practice and training, but reduces attraction in terms of performance. How does a chase cut? A proficiency audit will help. In a concert, take out 15-20 minutes of recurrence or non-value-growth in Manodharma and press it with a good condition’s cryritis-it is very notable.

This is not to weaken the manodarma. It is definitely the highest form of skill, knowledge and congenital talent. Anxiety is about its overweight and even pedestrians. It is not that one is misunderstood, it does not demand more rhyme, but more mainstream crites. It may have a guiding role, but many people can take Non -intervention The attitude of shaping concert styles. One, however, is trying to reverse some green shoots with some young singers, perhaps to show the list of their performances.

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