A spiritual odissi through Bharatnam by Ganesh Natlaya in Nimagna, Delhi

A spiritual odissi through Bharatnam by Ganesh Natlaya in Nimagna, Delhi

Delhi -based dance institute, Ganesa Natayalaya, is giving a Bharatanam performance by Ram Vaidyanathan and Ramakrishna is dressed on the beach in Visakhapatnam on the occasion of Maha Shivaratri in Visakhapatnam. , Photo Credit: KR Deepak

“As the soul dissolves with divine, the boundaries of existence are dissolved, and the universe becomes one.” This quotation sets tone for impeccable, a dance production that weaves four separate sections together to create a spiritual odissi. The choreograph was choreographed by Ram Vaidyanathan, the exponent of Bharatanatyam and performed by a dress of 25 talented dancers in Delhi -based Ganesa Natlaya, 75 minutes of production is a great experience that turns into a depth of spiritual spirit.

Presented by Parampara, dance production was held on the banks of Ramakrishna Beach in Visakhapatnam in the evening. Ram Vaidyanathan, president of Ganesa Natayala, says, “Prerna is to create a task of an artist in Bharatanatyam which can be emotional as well as visual imagination.” The four -volume sequence began with Guru Stotram, a poignant tribute to Saroja Vaidyanathan, the founder of the institution on the occasion of the 50th anniversary of Ganesa Natayalaya. The call set the tone for the rest of the performance.

A Delhi -based dance group of Ganesa Natlaya Sansthan gave the best performance by Ram Vaidyanathan and dressed on the Ramakrishna beach in Visakhapatnam on the occasion of Maha Shivaratri in Visakhapatnam.

A Delhi -based dance group of Ganesa Natlaya Sansthan gave the best performance by Ram Vaidyanathan and dressed on the Ramakrishna beach in Visakhapatnam on the occasion of Maha Shivaratri in Visakhapatnam. , Photo Credit: KR Deepak

The second section, tribute to the goddess, was a tribute to the woman divine, by increasing the qualities of the goddess through a priest, celebrating the female theory, accepting its power and grace.

Taking the audience on a journey to the third section, Sacred City, Kashi, discovered the complexities of human emotions and the transformative power of spirituality. In this segment, choreography discovered Kashi’s divine and transformative energies, where devotees seek a sense of absence and peace.

A Delhi -based dance group of Ganesa Natlaya Sansthan gave a lot of performance by Ram Vaidyanathan and dressed on Ramakapatnam's Ramakhana Beach on the occasion of Maha Shivaratri on RK in Visakhapatnam.

A Delhi -based dance group of Ganesa Natlaya Sansthan gave a lot of performance by Ram Vaidyanathan and dressed on Ramakapatnam’s Ramakhana Beach on the occasion of Maha Shivaratri on RK in Visakhapatnam. , Photo Credit: KR Deepak

The discovery of the cosmic dance of Lord Krishna and Gopikas was a sublime presentation of universal human yearning to unite with the last section Rasa Leela, the supreme power. This piece was an excellent depiction of cosmic dance, where the boundaries between the individual and the divine are dissolved, and the dancers become one with the universe.

Ganesa Natayalaya, established by Saroj Vaidyanathan in 1984, nurtured more than 315 Arangatrums with both Indian and international students. Over the years, Nalaya is also dedicated to the upliftment of disadvantaged communities through cooperation with non -governmental organizations, such as the Guild of Service, Arvindam Foundation, and Sarvam provides Bharatnatyam training to students.

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