‘Arjun S/O Vyjayanti’ Movie Review: Vijayashanthi, Kalyan Ram’s film is doing under the weight of a dated story

Vijayashant and Kalyan Ram in the film. Photo Credit: Special Arrangement

A view in the last parts of the Telugu Action Drama Arjun S/O Vyjayant Provides a moment of shock, it establishes how far the hero will go to protect a loved one. Except for the moment, the film is an old relationship of a mother and son that find themselves at the opposite end of a flawed system. If the manufacturers had contacted the story with a new story style, perhaps the emotional crux of the story would have an essential effect. Instead, the film reduces the capacity with its formula approach and becomes tedious with each passing action sequence. Vijayashant’s formidable appearance and Kalyan Ram’s honesty is meaningless.

The film opens with a series of introduction sequences. The introduction of Vijayashanthi sequences his hat for his prestigious, difficult-Nakhoon police officer characters in the 1990s. It establishes how he is not under pressure, puts its safety at risk. As the action sequence unlikes, the film written by Pradeep Chilukuri and directed, knows how the audience will not have the question of how his young son reaches the forest even before rescue party.

The second sequence introduces a dark character, which originically, grows deeply, exposes a mark of destruction. The third, or third and fourth, are dedicated to the hero of the sequence film, Arjun (Kalyan Ram).

Once when done with a slower episode, the story gradually reveals the circumstances under which the relationship between the mother and the son is sour. Birthday cake acts as a marker of time. After all, however, these cakes inadvertently contribute to humor.

The sub -collectors of the Guns Baing for the blood and black sheep of the officers were kept together, which is in the leading force for chaos, and it determines the platform for the rise of a character that takes the law and order into its own hands.

Discussions related to a character living on the course with the system and a parallel judicial system remain at the other, surface level. For decades, many Indian films have detected similar topics with more detail and emotional depth.

A long episode reflecting the magnitude is presented through a visible lens that provokes a replica on helpless people. When a long-prepared flashbacks look barely some facts, it also shows how, if the major characters were sitting across the table and discussed the circumstances that took them to different paths, we might not have to bear the film.

Sohail Khan’s character was less said, better. The gel brake is never easy and laughter. A passing visual reference of Mario Pujo’s book, FamilyThey do not make forgetful characters in their family in any better way.

To be fair, despite being as old as hills, there was some scope for drama in the struggle of faith systems. A turn to the climax tries to infect some life in action, but it is very little and too late. Arjun S/O Vyjayant Many birthday cakes and some fan drugs, after the moments of service, drugs and drugs on a conclusion.