The medium of OTT has continued to allow for a wide range of episodic storytelling, which has an autocratical quality, and this is the best example in the rapidly strong appearance of the background score. Second and latest season of HadesNow seals the show on Amazon Prime, from cinematography to music, as a ton of a harmonious piece of media. Naren Chandwarkar and Benedict Taylor, pair behind their dynamic background score, talked Hindu They deploy to make films and TV scores about the creative process.

Chandwarkar and Taylor have worked on the score of a generous range of work from Anurag Kashyap, their first official creative cooperation. Girl in yellow shoesFocusable creed for classic Ship of theesus By Anand Gandhi, Office Sanjay Leela Bhansali series Hiramandi, And Abhishek Choubey’s 2016 hit Rouchier Cut, Udta Punjab.

Despite the incompatibility between the stories they are scoring, their job is a personal expression for the pair. Chandwarkar says, “The kind of projects we have chosen for a long time, finding stories with it is a throne with whom we really resonate.” “In this process, we find new ways to create music and live in these worlds.”

Hades There is a crime-thriller chain which is serious in its origin, a sick eye on demonic intentions on the roots of society. Cinematography, writing, and of course, Jaideep Ahlawat (playing the roles of policeman Hati Ram Chaudhary) and Ishwak Singh (Chaudhary’s companions Imran Ansari), Chanadvarkar and Taylor are said to be a lot about playing, which in the mixture Bring

“(As a musician, we) do not want to feed people, or impress how they think. It is not propaganda, ”says Taylor. His ally spirit ensures that music is not single-brain and closed for interpretation. “(With Naren), you have always received a second opinion, a veto in a very creative sense,” they say.

Taylor is a London -based instrumentist who specializes in Vicola and Violin, while Chandwarkar is a guitarist in Mumbai. He met in 2009 and tied up Viola, for which Chandwarkar was taking lessons at that time. “I think we have said this earlier, (our cooperation) is like two sculptors, who are going to the same piece of rock together with their own equipment, find out how the sculpture did Goes, “Taylor says.

Second season of Hades The scenes bring a change, in which crime and following investigation are done in Nagaland, in the backdrop of the first season instead of Delhi. The growing bond between Hati Ram and Ansari is one of the constant from the previous season that still feels the show Patal Lok.

Chandwarkar says, “A popular theme in the second season) was Brotherhood, the bond between elephant Ram and Ansari,” Chandwarkar. He said, “The story reveals them various things about each other, and there is a beautiful resonance that comes from there,” they say.

Score for Hades Turning develops with tide, as Chandwarkar and Taylor found themselves incorporating elements of folk Naga music. Chandwarkar says, “In the first two episodes of the second season, the music season is similar,” which almost makes such a false assumption that (viewer) is in the familiar area, “They say.” And then from the third episode , (The show) turns into something else. “

The pair used Tati, a traditional single-string instrument from Nagaland, often with Nakame folk songs. This experiment has proved itself more fruitful than challenging, as it seems that the pair’s creative chemistry has been strengthened, which was sparked the first two decades ago. According to Taylor, the Naga influence on his music has created a “new music language” between the two.

Both are used for this development of their collaborative relations, as they face various styles of music that they should complement when scoring various tasks. First season of Hades especially “Toofan Main “, Delhi rapper, a desi hip hop cut from Prab Deep. “I think there is always a place for music and a place for the world that can be co -existence in a show and not necessarily to share the thematic materials or inform each other,” Chandwarkar says.

Taylor finds the intersection of separate music subconsciously inspiring. “We always had a good time to work around music that is not ours,” they say, “if there is another (type of music in the show), then it is an interesting curbball to hear and work . You can not help it as music or not, what is it.

“The producers of the film or series are making this tapestry of things, and even if your music is different, you contribute to this tapestry,” they say.

Petal Lok is now streaming on Amazon Prime Video