Nina Prasad started the performance of her Mohanyattam with a Khanda Gati Khanda Jatya Matya Tala Cholketu. , Photo Credit: Courtesy: Music Academy

Nina Prasad’s performance was widespread, causing a great feeling of dance style. Untoward music, beautiful dips, vineet rhythms and stylized actors are the hallmarks of Mohinitam.

Lyrical complications are usually not a feature of Mohinitam, but for 2024, the music academy’s dancer Kalanidhi Award winner Nina, began with a quite complex – a Khanda Gati Khanda Jathi Matya Matya Tala Cholketu, for five elements in five dense raga Pays obedience. Changansari Madhavan Nambothiri sang it in a late delay, while the footwork was in a rhythmic middle. Nina introduced several ‘Dhai Dhai This’ against a simple back-foot heel lift, but did not marry the piece.

Nina Prasad introduced several ‘Dah Dah This’ against a simple back-foot heel lift. , Photo Credit: Courtesy: Music Academy

On Mridangam, Rameshbabu played a low pitch, flat-tond beet to add beautiful music symphony. Violin by Shyamakulian gave sweet support to Nipun Madhavan Nemathiri, who sang in the Karnataka style, but emphasized mood and literature. Nattuvangam was enabled by Aswathy Unnikrishnan. However, Edka was barely heard by Kalamandalam Arundas. Sadly, it is an important component of Mohinist and should not have been ignored.

The next piece was depicted by Swati Tirunal’s ‘Endolica Vehicle’ in Anandabhairi (Mishra Chapu). The bees hover around the garland of sweet flowers and the girls feel that it is Cupid. It had softly intoned nritta sequences.

Rhythmic complications are usually not a specialty of Mohinitam, but Nina Prasad chose quite complex. , Photo Credit: Courtesy: Music Academy

A Charuksi Padranamamon chased in ‘Kamopamaropan Kamanan’ (Adi, Balakavi Ram Shastri), in which Usha, Bansur’s daughter Usha, dreams of Anirudh. His friend Chitrelekha helped him identify her by sketching her face according to her details. This was a show-stopper in the context of the Sriingara piece music and scene (Kalamandalam Guru Sugni). It was beautifully thoughtful and gentle swelling for music and Bobs showed a sense of deep music.

Neena Prasad performed Mohinitam at the December Dance Festival of Sangeet Academy. , Photo Credit: Courtesy: Music Academy

The contemporary gift offering ‘Sorpanaak’ in Ragamalika (written by Jayakumar and written by Madhavan Namputhiri was a Solillocy about her encounter with Ram and Laxman, in which she feels that she feels with respect to her instead of being insignificant and injured Could be handled. It was well tuned and with good understanding.

Kapi Thailana (Adi, Madhavan Nemputhiri) stood outside. The dancer’s energy was inspiring as music. The event was some devotion, Srigara, Rauudra and injury. It also had amazing music and beautiful Narita.