![Kavita Ramu chose Arungirininathhar's popular Tamil poem to start her dance performance](https://www.moviesinterestingfacts.com/wp-content/uploads/2025/02/Kavita-Ramu-chose-Arungirininathhars-popular-Tamil-poem-to-start-her.jpg)
Kavita Ramu started on Muruga with a vanam, which was paired with a vibrant Solankatus. , Photo Credit: Special Arrangement
In the present -day dance landscape, where the virtues and motion seem to dominate the proceedings, it was refreshed to see the Margam presented by the disciple of Kevata Ramu, KJ Sarsa. She attracted attention to the beauty of the traditional performances in her performance for the dance ceremony of Bharatiya Vidya Bhavan.
In praise of Muruga, the Tirupapugaz ‘celebrated by Arunagirinathhar,’ Muthehitharu Pathithirungai ‘, where the songs exit in an edge, worked as well as a initial number. The depiction of various aspects of Muruga – their personality, peacocks, their vehicles, and rituals associated with them such as Kavadi – were paired with dynamic solucatus. His good feeling of rhythm, finishing every thermmanam with a climax, was designed for a vibrant opening.
![Kavita Ramu installed through her attitude and Mukhabhinaya pained the heroine's pain in her vaunam. Kavita Ramu installed through her attitude and Mukhabhinaya pained the heroine's pain in her vanam.](https://th-i.thgim.com/public/entertainment/music/ie4pc1/article69210940.ece/alternates/FREE_1200/14fr_Kavitha%20Ramu%208.jpg)
Kavita Ramu installed through her attitude and Mukhabhinaya pained the heroine’s pain in her vaunam. , Photo Credit: Special Arrangement
Khamas raga Varanam ‘Samyai Azhithu Wadi’ was the Sundarshwarr of Madurai, who dealt with the heroine, composed by Tajavur Chaudi, settled with her lord with a pineing for a union. Kavita, while wooing her Sakhi to go as a messenger, installed through her stance and Mukhabhinaya pained the heroine’s pain when the Vanama begins. The description of his lord – who has a regial effect, the body smells of sandalwood, and the god whose glow shines on his devotees – was imagined to establish the character of the hero.
Birds, bees, cuckoo, and gods of love, are the metaphors used in Bharatanatyam to communicate the emotions, the arrows of the work. They were also made a part of Kavita’s vocabulary. The focus on expansion came through the range of dramatic variations, and gates for the hero, heroine and Sakhi.
A vibrant Swati Tirunal Dhansri Thailana came as a suitable closing for her performance. Swamimimalai Suresh and A. in the musical team. Narendra Kumar included, on Natuvangam, Kaushik Panchpekan on Vocals, Kesavan on Mridangam, Atul Kumar on Flute and Srinivasan on Veena. The makeup was done by Murugan.
Published – February 12, 2025 05:14 pm IST