KS Vishnudev expressed confidence in his raga texts

VVS Murari was accompanied by KS Vishnudev on violin, KV Prasad on mridangam and KV Gopalakrishnan on kanjira. , Photo Credit: Special Arrangement

You can describe it as dynamic or exuberant, but KS Vishnudev’s singing leans more in favor of the former. Vishnudev’s voice crosses all octaves with ease and confidence. If the raga texts are evidence of his vision of the melody chosen, the swara khandas impress the listener with his creative abilities in weaving them and fitting them perfectly into the rhythm.

Starting his program with ‘Palimpa Ravedelara’ by Pallavi Shesha Iyer in Raga Arabi, accompanied by an expertly crafted Chittaswaram, Vishnudev further embellished the piece with his swarakalpana. After a few casual exchanges, the Pancham Avtaar note between Vishnudev and VVS Murari on the violin sparkled with ease.

Sunadavinodini, a melodious melodious raga was taken up by the singer for elaboration. Extended phrases and emotional actions added more charm to the raga essay. Mysore Vasudevachar’s popular ‘Devadi Deva’ was the choice here. The fireworks-like vocal performance between Murari and Vishnudev on Pallavi won the applause of the audience.

After high energy performances, can there be a better option than Shyama Shastri’s ‘Marivere’ at Anandabhairavi for some relaxation?

The morning raga was Saveri. Without hurrying. Vishnudev opened it with a soft and delicate touch. In his exploration of raga, he explored its nuances, and did so with a sense of purity. Appreciable campaigns in the mid and upper segments showcased his art.

Vishnudev’s choice went in favor of Tyagaraja’s ‘Kanna Talli Nivu’. An elaborate and poignant Niraval on the line ‘Anudina Monarinchu’ was brimming with creativity. He turned to Pallavi for vocal exchange. Once again, there was an interesting dialogue between the singer and the violinist, with the percussionist giving him full support. Many combinations of voices landed on Shadjam in the grand finale.

The singer concluded his recital with Purandaradasa’s ‘Inu Daya Barde’ in Kalyanavasantham. The entire team, including Vishnudev, Murari and the percussionists – KV Prasad on mridangam and KV Gopalakrishnan on kanjira – complemented each other in every possible way. Tani Avtaranam between Prasad and Gopalakrishnan was a quiet but engaging dialogue that was thoroughly enjoyable.