In an early scene of the “Spinal Tap II: The End Constinues”, Blistering Objil Nigel Tafael asked his wife a question, because after many years, her and her bandmates again joined: “I don’t know whether it was a good idea or not.”
Fans may ask that the same question after the same question kills theaters of all rock mockuments on Friday, the 1984 “This is Spinal Tap”. Forget about going to 11. It registers at a barely 4.
Despite some great stars cameo – Paul McRartney is easily best – “Spinal Tap II” also becomes needy in old favorite bits and the frequent appearance of death is choking by a downr. Casual-based comedy is forced and laughter is barely registered. It is only a film for dye-hound taper.
The structure is a band reunion and vomiting count for a final concert by the spinal tap, which has been dissolved 15 years ago. They do not agree to improve out of love, but contract. The site is in New Orleans, as a stormy Daniel fell through appearance. Intra-band stress is boiling.
Rob Rob Rob Rainer-He has directed, starred and co-written with Christopher Guest, Michael McCain and Harry Sheer-once again directed the sequel, honestly played his role as filmmaker Marti deburgie, which was completed with a director’s baseball cap and a director’s visualization around his neck. All people get screenplay writing credit.
We learn where the trio has landed after all these years-one runs a cheese-end-guitar shop, the other is the owner of a glue museum and writes the soundtrack for a third podcast and a hold music for the phone.
Death rate is a continuous subject, the concert promoter who suggests that one of the three members die on stage for good propagation – “Will you compromise for a coma?” A band provides a member – Sheer Song “Rockin” for a photo shoot in a cemetery for the whole thing ending in a hospital. When they settle in chairs, bones are creek; it is difficult to hide and read the panches. It is a film that celebrates those who celebrate “candles more than the cake.”
Death clearly prevents the discovery of a drummer, which is a habit of coming into a sudden death whenever they are involved. It was a kind of background joke at the original, but the comedians here used to bend too much, with people coming from untouchable suits, including Metalica’s Larse Ulrige, Red Hot Chile Papers Chad Smith and Questlov – “You are mythical, but I don’t want to die,” all the landing flats. Just not enough fun to include famous people.
Valerie Franco eventually steps behind the drum kit, brings a vitality and impurity to a film that leads to badly. But when you are a hit on Sheer’s Derek Small, a woman will kill her junior in four decades. The sheer also sticks a vial to a point to her nose, a frustration of physical comedy that should not have been cut.
The guest’s Tafael tried to re -create his “up to 11” from the original film, when he and the deburgy discuss various guitar paddle – one is like “singing someone through a duck” – and he reveals a secret box of cheese in a guitar. It separates like a bree on a warm day.
The high point occurs when the Mekartney recording is to stop by the studio. He admits the band for the poetry ability of “Flash Tuxedo” with “Pink Torpedo” on the song “Big Bhatom”. But soon things are testing in the direction of a song between her and McCain’s David St. Habins. “We will take it under advice,” McCain eagerly told McCartney about her suggestion. Later, he thinks of Sunny Mekartney: “He has got such a toxic personality.”
Elton John, Garth Brooks and Trisha Earwood are also visible. Frank Dressure and Paul Shefer will give their old roles Blink-And-U-Mis-Way. One of the great photographers of Henry Dilltz, Rock, also gets a cameo.
John, whose natural comedy trends are unhappy here, sits twice for “Flower Peepal” and “Stonhenge”. The film is often a stall in the second half as it loads the performance leading to the final concert.
One of the bits that does not work is that the band apartment in New Orleans is interrupted by the moving seizures of the haunted places. But it is fitting, perhaps: “Spinal Tap II” is full of ghosts. It is like watching a cover band playing hits, but then realizing that it is actually on the original band stage.
“Spinal Tap II: The End continues,” a Blekar Street release in theaters on Friday, “Rang for” Language including Some Sexual References “. Running Time: 83 minutes. One and a half stars out of four.
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