‘NAANGAL’ Movie Review: A heart -running memoir on childhood trauma and to come with it

CWTCH, which means to hug someone to offer a feeling of warmth, is a famous Welsh word that may be familiar with some of us. First a inter-head Nangal From the beginning, we are introduced to one and one word – Hirath – which means that homesicance for a house cannot return to one or it that never existed. Very rarely, the plot, struggle and determination of an entire film can be expressed in a word, and director Avinash Prakash has properly established that in the first frame of his film, which is also doubled as his biography.

with NangalAvinash has put us in the middle of the tragic upbringing of the three brothers yet. Rajkumar (Abdul Rough) is a person whose one -time family has now become bankrupt. After participating with his wife and some financial failures, he has become the president of a run-down school. Due to no place to claim dominance, he moves it to his three children – Karthik (Mithun V), Dhruv (Rithik Mohan) and Gautam (Nithin D) – who live with him and are forced to bear their physical and emotional torture. What happens when their flexibility is tested Nangal,

The film, drawn by her experiences of Avinash, catch the trials and tribulations of this distressed family from August 1998 to 2002, and each time appears on the Timestamp screen, the feeling that the characters have hit their fate. Permanent pain is a common symptom among all characters. The prince has to manage his collapse empire, where some of his employees like to run away, when they need the most or, after years of service, when he begs them, there is no heart to leave. His wife Padma (Partana Srikanth) expects a future with his family, and even the youngest member of his family, Kathy (Roxy the Canine), has a thick upbringing. But Nangal Mainly the story of three children who, with Kathy, are innocent souls caught in an adult world, where laxity is considered everyday life.

Avinash does not hesitate to use most of the runtime of the film to show his routine, day and day out. Despite the large assets, it is the boys who have to run out with a plastic compartment to bring water to not supply water. The first pair of nights dropped their house down from the rain, which we believe that the cause of the power outage, should only be informed that it is due to their bill outstanding. Even their everyday food becomes plain rice with pickles or sandwiches made of roti pieces of bread. In a mainstream film, this family will be an example of the textbook ‘Wazanathu Keta Kudumbam‘(A family that has seen better days) trop. But here, the film does not give milk to its plight for our sympathy and instead has a mirror to show another day in her life.

In a few minutes in the film, in a scene, a pitch-Dark rainy night silence breaks with a sound. It inspires the two youngest boys to check, one of them is certain that it is a ghost. When we breathe a sigh of relief to know that it is just their father, we immediately learn how the children would have liked that it was an evil spirit that was haunting the old property. To pursue this point, views turn to monochrome, showing how happiness is sucking out of their lives when their father is around. The film does a great job of showing adults through children’s eyes. As time increases and children learn that it is not dark with their parents, we understand that they are also victims of their circumstances.

Despite some violent scenes, as children are surrounded by their official father, Nangal Like a scene, part of lightness, where one of the children immerses his father’s shaving brush into toilet water so that it to avenge him. For every slap or wrong anger show, children also meet people who show them how love, sympathy and kindness should not be a luxury – such as those who have worked for their family, their maternal grandfather or even a random girl who collide on the ride of the bus. The filmmaker hit us with sequences that bring out many feelings. Like the scene where one of the children is grown in their farm, coherently to give the red strawberry to its sharp taste, the film takes us to a rollercaster ride of emotions.

Still from ‘Nangal’. Photo Credit: Special Arrangement

Like a thick fog blanket that slowly surrounds the hills, Nangal Takes its time to reveal. Thankfully, it works closely with the installation of a slow -burning nature tedious routine, which is placed by the boys by their father. But he does not stop Avinash from having a little fun; The film is secretly secret to catch children Baby’s day outOne of the children, cleaning the toilet bowl, sings ‘Raja, Rajath Rajan Indra Raja’, and – in a beautiful touch – – – – – fold Screen writer Sub John has been designed for a small but effective role. Talking about Kamal Haasan Starrs, looking at children’s hobbies and derogatory father for backdrops, pure comics, the film also reminds us Alavandhan, But thankfully, no one goes to the murder race Nangal,

With cinematography and editing, also handled by Avinash, similar ideas such as a bold moves to show a similar sequence in speed. While the manufacturers have opted for live sound, not all dialogues reach us the way they intend. The music of Ved Shankar Sugvanam correctly enhances the mood that the film provokes in each scene, and their use of deaf silence makes the ground of punches difficult. Despite being a feature debut for almost all primary actors of the film, children with Abdul, with Abdul, draws a clean job, especially considering the film’s long number of long.

Nangal In your childhood days, takes you on a journey of memory lane, which will be pleasant to all those memories without reassuring you. It is a deep personal work of a filmmaker, with the title, tells the world that it is what they are without defying this chapter of life. And for that, he deserves a CWTCH!

Naangal is releasing in theaters this Friday