Rakul Preet Singh, Arjun Kapoor and Bhumi Pednekar in ‘My husband’s wife’

Love and war fall in all sizes and sizes. This week, they take the shape of a circle in the hands of Mudasar Aziz. Writers and directors know one or more, which is about finding mirtha in the geometry of mousse. From Happy bhag jayegi And Pati patni and woh To Game game PiscesHe has been able to try and test the Bollywood formula of the 1990s for an average audience. Chole Bhatura Version of Bollywood romance: flaky, oversize and spicy that can choke any grease trap.

Mudasar pretended to cook a healthy version of the recipe to bring it into a crowd, listening to phrases such as ‘Purush Taktki’ and ‘Patriarchal Lens’, but still swear by David Dhawan’s comedy. Their efforts result in some more layers, a gasp of fresh air, but the inherent pretense does not always go away.

In My husband’s wifeHe twists the traditional, high-picked romantic comedy template, where the hero is not confused despite separating two cute girls. Real estate broker Ankur Chadha (Arjun Kapoor) is nursing his wounds as he has come out of an unstable marriage with journalist Prablen Dhillon (Bhumi Pednekar). Even when he struggles to place the past behind it, a physiotherapist, Antara Khanna (Rakul Preet Singh). The college emerges from the album to be excluded from his feet.

If Prabelin Dhillon adopted her face attitude, Antara is refined in her death. Ankur tried to write a new statement of love by one-liners of his friend Rehan (Harsh Gujral). As long as Prabelin returns with a retrograde forgetting disease, things seem bright for the anchor. The base is the same: Two women are desperate to win over our hero. This is just the way to reach there which is not overlade with patriarchy. The two women who looked a career-oriented shortly before, were now suddenly caught at a time to woo their man without any clear inspiration. Yes, it is only one old game of temptation and jealousy. The film carried forward the oblique argument that memory causes loss of personality loss. While Prabelin is nominated Bala (Trouble), Ankur slaps a wrist for his misdeeds. However, if you buy internal arguments, performance and songs attract your attention.

This is a new type of casting bias season where the manufacturer and their wives are pushing each other’s career. Last week, we used to shake hands with Aditya Dhar and Yami Gautam. Dham dhamHere, Rakul stands in a role for Jackie Bhagnani that reminds me of her free-free performance De de love deIt is not new to play the characters loudly with a shadow of Bhumi gray, but, once again, his performance with the passage of time becomes a one-dimensional clearly clear. This is the boys who are the most fun in this marital mess. The camera may not be kind to Arjuna from all angles, but he provides a strong performance in a role that demands Govinda. He finds good support and energy in a stand-up comic, which helps in paper at intervals at intervals, one-liner. In a film about domestic conflict, Mudshar wisely draws attention to long -standing international issues like Israel and Palestine and Ukraine and Russia, and, in a delicious turn of the phrase, to refer to the state of cases, in a delicious turn of the phrase Calls ‘Allah Ki Leela’.

The problem is that in his dialect to check all boxes, Mudasar Katha fails to maintain the tempo. These are not just film relationships that become cyclical; The screenplay also becomes a Meera-Go-Round. The surnames prepare us for the taste of Punjabi, but not for its overdose as high-level communication distribution and background score. Since gags and jokes do not descend continuously, things take a long time to reach their point in the first half, and in the second half there is drugs to reach the denovation. In fact, in the ubiquitous crowd in the sequence of the airport, Mukesh Rishi, who return after a long time, asks Shakti Kapoor to hurry again and again. But Shakti knows that there is no David on the steering wheel!

My husband’s wife is currently running in theaters