‘Su from So’ Movie Review: JP Thumanad offers a refreshing and cheerful horror comedy

Very few movies attract your attention with the first frame. In Su, from, After a jumpscare, a death is announced, and the entire village in the coastal Karnataka region gather for detailed mourning rituals and a feast that follows it. Debut director JP Theanad (actor who played in Deepak Sse side b)) Installs the background and its people with a soft song. S Chandrasekaran’s cinematography draws you to the picturesque setting.

Music is heartbeat Su, from, A fresh horror comedy. Without any composer Sumade and Sandeep Tulsidas, who scored the BGM, raised many moods with his brilliant work. Director JP Theuminad’s generous use of songs to run the story results in an emotional manipulation, in a good way.

The film begins with a foolish fun, and it helps when you have funny, attractive actors like Shenal Gautham, Prakash Thuminade, and Deepak Rai Panje, attractive actor, who removes lively energy for the story with his brilliant comic timing. Actor-Filmekar Raj B. Shetty, who supported the film under his banner, is very funny fun, essaying a paraded character. Venus, the film is not low in a range of comedic sketches, as the plot kicks at the right time.

It is challenging to discuss the central plot without disclosing important details. The spiiler-free description of the conflict is that villagers face a Hercules work to remove a soul from Someshwada (hence title), with a young man named Ashok (JP Thuminade) to overcome a soul. The director receives comedy from a variety of ridiculous reactions and zany conditions. He also deploys observation humor, highlighting eccentric characters (such as played by Pushparaj Boller) that you remember without any eye.

JP Thumanad in ‘Su from So’. , Photo Credit: Lighter Buddha Movies/YouTube

In addition to a lot of scenes that combine humor with supernatural events, Su to su There are standalone comedy sequences to generate large laughter. JP Theomnad’s control over the style is so strong that we do not mind these scenes, even if they delay the next turn in the story.

In the Final Act, JP Theuminad urges to be specific to a juicy style, which allows you to go into any length to provide adventure. Instead, he drives a unique path, which cleverly moves from the serious area without using it, and wraps it as a scary comedy with a big heart.

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Frame floods in male characters Su. Nevertheless, the film reaches its peak when she tells a woman’s stirring story (in an affected performance) fighting patriarchy. The film, which begins with the words of high praise for the external beauty of the villages, deep in its internal dirt, the mentality of men that prevent women from expressing themselves. This is never tonal shift Su to su The end ends on a rousing note, maintaining the assurance of a quality film until the end.

Su to su Currently running in theaters