Silence please exhibition at India Habitat Center, Delhi. Photo Credit: Special Arrangement

Annual trips for them Granular (Mother Ghar) In Allahabad (now prayer) Vivek Sharma gave an early glimpse in the life of ascetics and helped him to fathom the best spiritual life. Says Vivek, “I will go with my grandfather during Kumbh with the monk’s congregation and he will tell me about these people who leave the worldly attachment and seek enlightenment.”

Silence by Viveek Sharma in IHC Delhi, exhibition. Photo Credit: Special Arrangement

View of the huge crowd bathing in the Ganges; The faith, energy, gaze and silence of orange-rich or semi-naked sadhus mesmerized the young mind in a whey with long beard and in the whey. The then teenager’s raids and Kalpana turned into a large size paintings of the sadhus in later years because artists grew up studying the renaissance miracles of art in discretion and were particularly inspired and inspired by surrealism and, Van Gogh and his Cubism.

Silence please exhibition at India Habitat Center, Delhi. Photo Credit: Special Arrangement

About two dozen such pictures are engaged in the India Habitat Center using the poinlist technique (the application of small stroke or colored dots, which meet the distance together and disintegrate in close views) by Vivic. Capturing different moments of introspection on the faces of wanderers, who live life in separation and travel on eternal pilgrimage, exhibitions, silence pleas, draws the audience into an internal calm.

The canvas of Viveek, from 5ftx5ft to 8ftx8ft, carry more than the color of your oil paint. Their functions have a magnetic silence that elevates the audience to join the gaze or expression of the monk who meditates on the canvas. There is something intense about the pictures that make light and shade patterns and the way it interacts with saffron, green, white and blue.

Exhibit Ae Silence Please Exhibition by Viveek Sharma in IHC Delhi | Photo Credit: Special Arrangement

Vivek has recently demonstrated some of his paintings of Kumbh Sadhus at the Bharat Kala Fair in Delhi. This is the first time he is showing his 21 artifacts in a gallery in the capital with two idols. “I wanted to do ascetic in 3D form and take help from an earthen artist; One is in bronze and the other is in Petina, ”he says.

Additionally, on one instinct, Vivek has also installed a special art using clothes for conozers in the capital. They are stuck together as part of the ascetic appearance in the form of colored strands of fabrics together as mateed hair or long unknown beard.

Silence please exhibition at India Habitat Center, Delhi. Photo Credit: Special Arrangement

In his monk chain, Vivek says, it became a popular journey show a decade ago when he took his paintings in a cathedral in the city of Da Vinci, France, Switzerland and Dar S Salaam, he was in Jahangir in Tanzania Before bringing Art Gallery, Mumbai, Mumbai, Mumbai, Mumbai, Mumbai, Mumbai, Mumbai, Mumbai, Mumbai, Mumbai, Mumbai, Mumbai, took him to Mumbai. In 2017 and now for the audience of Delhi coincides with Mahakumba this year.

Vivek says that his pictures of the monk are based on the photographs that he buys from the lensman going to Kumbh. Sir JJ School of Art, Mumbai’s graduation says, “But I don’t copy, I just need to outline and need to paint it in its own way in poinlism.” “My parents told me that face is the index of the mind, it shows how pure you are.”

Silence please exhibition at India Habitat Center, Delhi. Photo Credit: Special Arrangement

As a student, he began to sketch guest profile profiles over the weekend in the weekend. He later worked for the police for making sketches of robbers and other criminals based on the details of the witnesses. In 2012, a van Gag show in Amsterdam surprised Vivek as an artist. “MF Hussain was known for his good horse painting, Sha Raza’s trademark Dot (Dot) as a figure; So the idea of ​​joining the monk hit me. I realized that poinlism technology could only be chosen as subjects with men, ”says Vivek, who initially abstained and switched to realism when 2015 Mumbai floods destroyed many of their tasks. “I saw in despair and the sky was getting clear. So I started painting the blue sky with the clouds and the city of Mumbai. The effort ended in a series on the scenario of Mumbai. ,

Silence by Viveek Sharma in IHC Delhi, exhibition. Photo Credit: Special Arrangement

Vivek describes himself as an artist who likes to play with metaphors. “People should understand what I want to say. Realism works for me; My subjects are deep roots in Indian-Non, ”they say.

The monk who paints is yet recognizable by his appearance; Ritual scars with wrinkles, ash, Vermilian and Sandalwood on their metaded hair, holy powder coated with holy powder. The art of Vivek is depth and speaks for himself. He likes to keep his canvas bigger because he feels that whatever he portrays, he portrays it well.

Artist Vivek Sharma | Photo Credit: Special Arrangement

“The ignorant area of ​​the monk appeals to me. They symbolize silent reflection in the world of conflicts. Their solitude and silence is the infinite that encourages you to think and find peace within you, ”Vivek says, after the exhibition is over, the Mahakumb is eagerly waiting to go to the Mahakumba.

In visual art gallery; India Habitat Center, Lodhi Colony; By 6 February; From 10 am to 8 pm