Two gentlemen – one sells cotton, the other spins yarn – meet when in Ahmedabad, in the east, sleep, an illegal Rakabas from Calcutta, to tell him the original, unpublished stories, to help in dealing with insomnia, Later, an unqualified defecation appoints.

That, kernel The storytellerIt is taken from a short story of Satyajit Ray. Screen writer Kirit Khurana develops a large plot around it. In an ineffective but funny tribute to the master, the film searches for creation and appropriation, confusion and feeling. For its credit, it is anything but copying.

Anant Narayan Mahadevan’s film added new varieties to the story to examine the separate mentality of two men. This world absorbing Valon’s Nahin Karne Velon’s Han (This is not for the world thinkers but for the doers), light-hearted Ahmedabad businessman Ratan Gardia (Adil Hussain), rented storyteller, Tarini Bandopadhyay (Paresh Rawal).

Two characters at the root of Ray Say Golpo Tarini Khuro ,Uncle Tarini, storyteller) There are cultural and different poles by nature. It is a chess between them as individuals The storyteller It hinges

It is a hundred years ago (described through lively animation) or the fate of a tree for the spying of the second World War II, with any idea that Tarini is serious for her story telling mill. The listener is all ears.

While most of the departure film makes the original text passes from the muster, not all are equally effective. At least one twics volume for more circulation. Ray did not intend to veena the degree of isolation between Bengalis and Gujaratis.

He used the difference between two men in the process of looking, bringing, bringing and transmitted to the principles of life, priorities and contradictions. He was not interested in two men’s food habits and other ideals. The storyteller Does.

It goes to stereotype to two linguistic groups. Bengali is defined by their love for fish and Durga Puja, Gujarati from their passion with their benefits. A little more imagination would have helped in skirt around this loss.

Storyist, Streaming on Disney+Hotstar, a man begins with a quotes: “Human to make, is divine to reproduce”. Avant-garde view artist meant accurate contrast: creation is inspired by internal desire; Duplication only by need.

In Ray’s story, Tarini’s remind of her experience with Garodia went back two decades ago when she was in her 40s. Screen optimization is expected that the rotary telephone and ambassador are set in the era of cars.

In the film, Tarini (which is Rawal in real life) as a sexginian. The character has been supernuting. His son wants him to go to America. Tarani stoned her. For that, America is a Rakto-Chosa (blood-sucking) Dracula.

In addition to the shadow poured on it by Ray and Tagore (especially their musical compositions, which is woven in the background score), in addition to Gorky, Tolstoy and Picasso, the background score Is woven in), The storyteller Ratan Garodia’s prediction and delay in memories.

https://www.youtube.com/watch?v=hc6dn6Hzei

The entrepreneur is surrounded by books he has never read and he cannot understand the pictures. Ray did not mention this aspect of the life of the cotton merchant. Mahadevan uses a reference (by ray) for baron struggles with sleep and turns it into a decisive character characteristic.

It is the insomnia of Garodia that brings the storyteller of eating fish and capitalism-stagnation Calcutta to a strict vegetarian and luxurious house of an entrepreneur with a huge chip on his shoulder.

Tarini, whose late wife (Anindita Bose) – one of the many characters who are not from Ray’s fictional world – a pen gift (in a flashback) on her birthday (in a flashback) and provokes them to write instead of only related stories, It is reluctant. Apply a pen on the paper. He is happy what he does.

Garodia, in turn, suffers from its limited education and a complex about Garodia, in turn, suffer from a complex about its limited education and lack of sophistication. Your inability to catch some Wink is a by -product of capitalism, Tarini calls him.

Both people disagree on most things. But Tarini takes the job very seriously. Garodia does not give him any reason that he does not enjoy his time, who enjoys his time in the domestic run by a resident Manswent Manicchand (Jayesh Peacock).

A pet cat – “right creature” in “wrong place”, takes a pinch to Tarini – revolves around Garodia’s house and steals from the fish tank. The guest of Bengali House conspired to smuggle fish in the kitchen and conspired to persuade Manikchand to cook for him.

Ray’s story has only three characters, including the editor of Gujarati literary period. In addition to adding a handful of new figures, the film editor changes with Librarian Suzi (Tananisha Chatterjee), whose family name, Fibert, is an eye on his tendency abusively about the authors.

In addition, the film has Saraswati (Revethi), which was once an important part of Garodia’s life at a time. Suji (a patron of books) and Saraswati (named after the Hindu goddess of Learning) indirectly help Tarini to stumble on the truth about the difficult-to-Fesham Garodia.

The storyteller There is a buffalo, made of homage – a musical version of a composition from Ray Hirak Rajar Country The end plays on credit – and tells the stories we experience, committed to memory, and when needed, a gentle ode to borrow or steal to create life and its complications. .

Rawal and Hussain bring great perseverance to the table. Constantly at the top of their game, they appropriately apply unequal styles for men to play men from two different classes of experience. Wry Humor drives everyone through its layered illustrations and slowly reveals the engagement.

It may seem strange that Rawal plays a Bengali storyteller and Hussain has an essay to the Gujarati businessman. East has a fair speaking of the bungalow. You can not surprise many times whether the latter would be better favorable for the role. But it is coming to think, the ohstasely appearance casting adds a bizarre dimension to the film.

It’s not that there is nothing else The storyteller To reduce our interest. there is plenty.