Vocalist Sriranjani Santhanagopalan’s ‘Maverrix’ celebrated the female power through music and dance

Sriranjani Tapasya Santhanagopalan presented an all-women concert for International Women’s Day at the Madras Littlery Society in Chennai. , Photo Credit: Akhila Ezavaran

Feminin Power increased on International Women’s Day, as ‘Maverrix’ of Sriranjani Santhanagopalan presented all the women Karnataka concerts under the auspices of the Tapasya Chamber Concert. Strengthening the theme, all five songs were depicted by female musicians.

The Library Hall of the Madras Literary Society Building, established in 1812, was set against the backdrop of the backdrop of more than 50,000 books in more than 50,000 books, the program of raising funds installed in 1812, transported themselves through the compositions under Siranjani by the audience.

Sriranjani Santhanagopalan with Deepika Venkatman (Violin), Charu Hariharan (Mridangam and Pandro Qudrado). , Photo Credit: Akhila Ezavaran

Deepika Venkatraman (Violin), Charu Hariharan (Mridangam and Pandaro Qudrado), and Jyothsna Akhnan (Bharatanatyam) as their co-‘Mavrix’, Sriranjani opened her vacancy with Avivyar’s Vinaira Verma. It is worth noting that many poets by this name appear in Tamil literature, and are believed to live in medieval times.

Bhavas were revived for Jyothsna’s beautiful movements and Tirupapavai poetry. , Photo Credit: Akhila Ezavaran

The next presented Vallabh Nayak, a vibrant vanam in Purna Chandraka, was presented the next. He recalled an interesting anecdote – his father and guru, listening to someone’s request for Navi Santhanagopalan, to create a vanam on Ganesha in the raga – who threw him into action.

After a brief Alpana of Varli, Sriranjani sang ‘Azimazai Kanna’ from Tirupapavai. Jyothsna joined this turn to connect the view of the scene with his dance, to bathe and bathe in life, Varun, Rain God, universal prosperity. The confluence of ‘Vaza Ulginil Peidiade’ and the beautiful movements and expressions of Jyothasna offers a riveting experience of Sriranjani.

Joshna Aakilan. , Photo Credit: Akhila Ezavaran

Bangalore Nagarathanmal’s poignant Javi ‘Mathada Bardeno’ was another high point. A piece of silence tells the plight of a heroine who is separating from his lord. Jyothsna again attracted attention, applying four metaphors to portray the situation – a fish thrown out of the water, a derailed vine that is looking for his tree, desperate to crack a flower red, and fell out of the sink with Srita Joe Joe Laa.

In a brief affair, Mridangam gave way to Pandro Kuadrado, a probation instrument, whose roots are in Portugal and Spain. In Deepika’s company, Charu, Ebally demonstrated how to play square -shaped frame drums. Also known as Adufe, it is killed using a stick on one side and hand on the other side. Meera Bhajan ‘Pag Ghunaghu Band’ wrapped singing on a devotional note.

The event flyer bored the tagline for ‘Maverirs’ ‘forward and Vijay’. And he certainly won the hearts of Rasikas with an energetic fare.