‘Yaadhind Chapter 2’ Movie Review: Ajai Rao’s court room drama is a smartly made crowd placer

Ajai Rao in ‘Yuvakand Chapter 2’. , Photo Credit: A2 Music Officer/YouTube

Ajai Rao-StarrerYatrand chapter 2 There is a traditional legal drama in which a court battle is enough for those looking for the complications involved in the battle. Pawan Bhat direction is a deliberate congestion, even it does not despise a sensational case in its center.

The purpose of the film is never a deep drama. Despite the slow start, the initial episode ofYatrand chapter 2 There is an easy watch because we see an orphan (essay by Ajai) that serves as a cashier in a graduate hotel as a lawyer. It is struggling to fulfill the sad reality of an inexperienced lawyer, it is quite reliable. The film does not give milk to the plight of an unpaid, young lawyer, as its disappointing situation is told in a mild manner.

Therefore, when our hero, Bharat Hanumant, decides to go against the famous lawyer Robert D’Souza (Prakash Belawadi), he is motivated to take a “open and closed case” by his owner. A single mother (Archana Joise) killed a young man accused of molesting her school -going daughter. Police encounters are seen as a model of immediate justice. But what if the accused is shot by someone related to the victim in the presence of police and lawyers inside the court premises?

Ajai Rao is credited for the script of the film, while Pawan has written different stories and dialogues from the direction. During the film, you feel the difference between a yesryear star and a new-gene filmmaker’s sensations. Although it is not a bad mixture, it is not correct, because we see how an over-dislike villain can break a complicated plot.

The opposition lawyer is depicted only as a clown because the producers want the audience to hate him. Prakash Belawadi does not need to be dramatic to be evil. His splash smile and the spontaneous ability to bring a sense of wicked satire for their characters is enough to hate them on the screen. Despite the conservative representation given, Prakash still emerges as the best artist.

Yatrand chapter 2 Provides adequate challenges for both lawyers. In the case, the entertaining exchange between the twist and the twist and the lawyers continues to confuse the scenes of the court room. The dignified appearance of TS Naga Bharana, who plays the judge, is a bonus. The dialogues are sharp, one of the best with a strong taking on trial-by-media.

Like most Indian legal films, the film takes cinematic freedom in its statement. The identity of the child victim is revealed, unlike law, but the most obvious artistic expression is the heroic interpretation of the winning lawyer.

Ajai, as a hard -working lawyer with a big heart, is reliable. But he stumbles as this lawyer, who has an emotional attachment in his case. His emotionally charged monologue in the climax is built in the vowel of V Ravichandran’s main character in the east of the film, Yaadhind, Released in 1989. However, the film was tailor for its time. After more than two decades, you expect low melodrama in a court room film, but Yatrand chapter 2 Otherwise proves. Ajai and Archana’s exaggerated performance in the climax was a major drawback for me.

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Ajai’s Bharat Hanumant is far away from the title character ‘Sher’ Jagpati Rao, an entry character by Vishnuvardhan in the 1991 film. Even after this, the main character was invincible, as Jagapati is compared to a lion. However, Vishnuvardhan brings a sense of great control to his performance during the arguments accused inside the court. Even TheSpian Dr. In prince, in Dhruva thare (1989), The official body’s language and spontaneous dialogue distribution is as a lawyer as a lawyer.

On the small screen, TN Sethram has been running for a long time Malay Appealed to a wide section of the audience to resonate its interesting tests and emotionally sub-zonal bhandas. The huge popularity of the serial reflects the demand for style from the family crowd. Yatrand chapter 2 Can rule the style well in Kannada cinema.